Selasa, 12 Februari 2019

Ebook The Merchant of Prato, Francesco Di Marco Datini, 1335-1410, by Iris Origo

Ebook The Merchant of Prato, Francesco Di Marco Datini, 1335-1410, by Iris Origo

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The Merchant of Prato, Francesco Di Marco Datini, 1335-1410, by Iris Origo

The Merchant of Prato, Francesco Di Marco Datini, 1335-1410, by Iris Origo


The Merchant of Prato, Francesco Di Marco Datini, 1335-1410, by Iris Origo


Ebook The Merchant of Prato, Francesco Di Marco Datini, 1335-1410, by Iris Origo

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The Merchant of Prato, Francesco Di Marco Datini, 1335-1410, by Iris Origo

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Product details

Hardcover: 415 pages

Publisher: Alfred A. Knopf; 1st edition (1957)

Language: English

ASIN: B002FAZG52

Package Dimensions:

9.3 x 6.1 x 1.4 inches

Shipping Weight: 1.8 pounds

Average Customer Review:

5.0 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#1,013,424 in Books (See Top 100 in Books)

I bought this on a whim. I am not a huge history buff, in fact I usually read fiction. I have read the obligatory, and did enjoy Schama's "An Embarassment of Riches" and many of Barbara Tuchman's books....but this is different and so much more authentic. The trove of papers and letters that are the basis for this book, provide fascinating details into life at the time, along with the emotion, eccentricity, and spirit of the merchant.

I'm a history buff and this book was, to me, a wonderful walk thru the Medieval period. It describes daily life, business practices, travel, family relationships, homes, family & friend relationships, the relocation of the Pope to Avignon etc. etc. I thought Iris Origo's form of writing was flowing and not in one part of the book did it drag or become boring. I intend to read more by Iris Origo.

Highly interesting (at least for me, a history buff) and well written. I will look for other books by her.

Very interesting and insightful! Prompt delivery.

I loved this book when I first read it. I gave this copy to a friend on the way to Florence.

A superb book that really gives you a wonderful insight into how life was lived in the 14th century. Through the detailed documents preserved from this one merchant's incredible record of business and daily life, we can really get a glimpse into not just how international business was conducted, but also how a normal (if well off) family household functioned, relationships between different levels of society on a practical day to day basis, plus the wonderful rich and interesting personalities of the main people involved in this household. We see how artists functioned and worked, how tradesmen related to each other and their patrons and how connections were formed by businessmen to protect and further their interests. And as it quotes many of the people involved directly, you also get a grand feel for how people thought at the time.The only other book which has given this kind of overview is "The Cardinal's Hat" by mary Hollingsworth. That book handled the subject fairly chronologically and dealt with a much higher stratum of society but also using a rich source of direct documents. This book is a bit more scattered and follows somewhat more thematic lines but still traces the course of the life of Francesco Datini, the merchant of Prato. Wonderful reading for anyone who really wants to enter into the spirit of the times.

Though it's somewhat old-fashioned compared to more quantitative social histories, "TMOP" is a classic reconstruction of the life of a prosperous Italian merchant and his network of business and family contacts. Unlike a number of more recent efforts, Iris Origo has written a marvelously accessible life-&-times biography which has edified and entertained readers for over half a century. Other reviewers who have lamented its OP status will be pleased to learn that there are at least two reasonably-priced editions now in print. 2015 has also seen the publication of a fine companion volume, A. Crabb, "The Merchant of Prato's Wife." Crabb uses many of the same sources to detail her story, along with other materials not used by Origo. Teachers of graduate or advanced undergad courses could assign both works to fruitfully explore a gendered recreation of family and commerce in the early Italian Renaissance.

In his will, the medieval Tuscan merchant Francesco di Marco Datini ordered that all his account books and correspondence be gathered together and stored for posterity. These archives were lost soon after Datini died in 1410, but found again, remarkably intact, in 1870. These archives, constituting nearly 140,000 letters to and from Datini and 503 files of business documents, constitute the most complete record of medieval Italian life ever found. Iris Origo mined this treasure trove for all it was worth in "The Merchant of Prato," creating a fascinatingly detailed portrait of how people lived, what they ate, and what they thought in late-14th-century Tuscany. Because Datini was a merchant, his ledgers provide an intimate account of what goods were available to affluent Italians of his time, and in what quantity. Even more fascinating than the details of family life are Origo's reconstruction of the lives and personalities of her three central characters: Datini himself, his young wife Margherita, and his best friend Ser Lapo Mazzei. "Certainly he was a difficult man, either to serve or love," Origo says of Datini, and indeed it is a difficult character Datini presents to us through his letters: grasping, imperious, sharp-tongued, morbidly suspicious--in short a model of a self-made tycoon in any age. But a better side of Datini is shown in his correspondence with the spirited, outspoken Margherita--who could give as good as she got--and with the kindly, philosophical Lapo Mazzei. Mazzei--who founded a winemaking dynasty that continues to this day, and whose distant descendant Filippo Mazzei was a close friend of Thomas Jefferson--was constantly reminding Datini of his duties as a Christian, and at length succeeded in persuading him to leave the bulk of his vast fortune to the poor. The foundation for the poor created by Datini's will continues in Prato to this day. Origo recreates Datini and Mazzei as characters of Dickensian richness, with Mazzei--if you will--playing the Ghost of Christmas Present to Datini's Scrooge. This book is a masterpiece, and how it could be allowed to fall out of print is a mystery to me. It should be reprinted in a new edition as soon as possible.

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