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Selasa, 30 Juli 2013

PDF Download The Return of Martin Guerre

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The Return of Martin Guerre

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Audible Audiobook

Listening Length: 3 hours and 35 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Tantor Audio

Audible.com Release Date: April 10, 2018

Language: English, English

ASIN: B07BR58LRQ

Amazon Best Sellers Rank:

A fascinating story of deception, identity theft, and vagaries of memory.The time is 16th century. Place: Artigat; a small village in Languedoc, just south of modern-day Toulouse. Martin Guerre is the son of a peasant family who migrated to France from Spain's Basque region. Martin marries Bertrande. But after having a child, 24-year old Martin first steals grain from his own father (a vile act with serious consequences back then) and then runs away from his village for a life of adventure in Spain. His place is soon taken by Arnaud du Tilh, an audacious liar from nearby Sajas, who shows up at Artigat claiming he's the long-gone Martin Guerre.This is of course a story that cannot take place in the era of Facebook and Internet databases. But back then no villager has any photos taken or paintings made. No one actually has a firm description of the original Martin. Even though he is not as tall and thin as the Martin the Original, Martin's four sisters testify that the stocky Arnaud is indeed their lost brother. Go figure.That may be hard to believe but what to make of Bertrande who accepts the fake Martin as her real husband and admits him to her bed to give birth to his children? Can a woman's memory get that frail within such a short period of time? Or did she talk herself into that relationship thinking she can back out of it anytime she wanted by claiming she was deceived? We'll never know.What we know for sure is, Bertrande and the Fake Martin build for themselves a stable and almost exemplary marriage which lasts three years. The honeymoon ends when hubris rears its ugly head. The Fake Martin feels so confident in his new skin that he tries to sue Pierre Guerre (Martin's uncle) over property rights and inheritance. That's when Pierre, who is already suspicious of the Fake Martin's identity, sues Arnaud for identity and property theft, which can be punished by death.At the trial, the Fake Martin defends himself with remarkable vigor thanks to his prodigious memory. He quotes so many correct details about his past relationship with the Artigat residents that some judges start to think he might be the real Martin Guerre. That's when the real Martin, who has lost a leg in a battle while serving the Spanish King, shows up at the doorsteps of the courthouse in Toulouse and declares himself.At the end, Arnaud cannot maintain the facade to the bitter end and is forced to get down on his knees and admit his crime. After a public hanging, his body is burned to erase his memory for eternity.What's fascinating to me is the seriousness with which a 16th century French court approached the lawsuit. The judges listened to hundreds of witnesses and tried every method they could think of to trip the Fake Martin and force him to reveal himself. If you're one of those who think that modern monogamy is an invention of the Victorian era, it's instructive to read that in 16th century France, the punishment for adultery was death. The mad courage of an impostor to take on a whole village and the mental energy he brings to the job at hand at the risk of death is nothing short of fascinating. No wonder the story was made into a movie, starring the lantern-jawed Gerard Depardieu.As I was reading this story I was amazed at the professional discipline with which the lawyers and judges of the time have handled this case. Reputations were on the line since the French judges were already an autonomous body of professionals back then with careers to build and images to protect. They were in competition with one another for glory and cash. That much is certain. But they were also struggling with the technical details such as interrogating the suspects, recording testimonies, deciding on how to use one testimony against another, sifting out motivations and contributing factors, thinking and weighing all the different possibilities, etc., all the while trying to stay within the bounds of the law. The author lifts the dusty covers of an opaque past and treats us to an illuminating look at what perhaps Max Weber would've called the "bureaucratization" of the judiciary process.Another reason why I was enamored by this book is the way it portrays in rich detail the unnerving frailty of human memory; the way our memories are bent out of shape for a long list of reasons. Memory is identity. If we can't trust our memories, how can we trust our identities? How can we trust a court testimony or a simple recollection when not one, not two, but FOUR sisters bear false testimony about the way their very own brother looked, walked, and spoke? Can such a thing happen in our own society today? I hesitate to say "no".A great and easy read. A page turner and a thriller that you can finish in a single day. Highly recommended.

The story of Martin Guerre is a conundrum that's inexplicable. How could a husband and wife not know each other? How could an imposter who did not have a Basque accent fool his in-laws and the rest of the village? Davis does an interesting but only okay job with the evidence, projecting onto the motivations of Ms. Guerre without any evidence very modern values that just don't seem plausible for her society.

This is not a new work. Far from it. It is an infinitely beautiful work, and beautiful book. However do not confuse the beauty of the work, the research, the import with the underlying cruelty and harshness of this every day life. Alas, some things never change.

I enjoyed reading it. Very clever situation. Watched the movie as well. Slightly different, of course. I liked the book better.

Love the way this book is written. The information is given in a beautiful way.

Natalie Davis's Return of Martin Guerre is quite possibly the most fun you'll have reading a work of history. Davis has a good grasp of how to tell a story, and she constructs her tale like a detective mystery, complete with dramatic irony, suspense, and a twist ending.The Return of Martin Guerre concerns the Guerre family, a 16th-century clan who lived in Artigat, a village near Toulouse in the south of France. Young Martin marries Bertrande, the daughter of another Artigat family, and the young pair are incapable for years of having children. Turns out Martin is impotent, and the family believes he is under a spell. After years of marriage with no offspring, Martin is miraculously cured and he and Bertrande have a child. Shortly thereafter, Martin steals from his father and flees the village.And then no one sees hide nor hair of Martin for eight years. Bertrande refuses to take another man and lives with Martin's uncle, who has married her mother. The whole village is surprised when, after eight years, Martin returns--shorter, stockier, lighter-skinned and with smaller feet. But he knows everything that Martin should and so the people welcome him home and Bertrande returns to married life with "the new Martin."More years pass and, when Martin tries to retake control of his family's finances, his uncle takes him to trial as an imposter. The rest of the book is a dramatic court case. Is this the real Martin? Why does he look so different, and if he's an impostor, how did he know what he did when he showed up? Why hasn't anyone questioned him before? The courtroom drama builds in tension like the most modern of thrillers, and the dramatic showdown between "Martin" and a late arrival to the case is shocking.That's what I loved about the book--Davis knows how to tell a story, and tell it well. And the book is short, easily read within a few hours (if you're a slow reader, like myself) or 45 minutes (like some of my friends).Unfortunately, I have to disagree with most of the conclusions Davis draws from the story. She clearly views Bertrande as some kind of proto-feminist hero, "self-fashioning" her own life, collaborating with a liar against her family by choosing to take in a man she knew to be an impostor. But none of the evidence Davis examines back up her conclusions. The judge whose book she uses as a source believed Bertrande totally innocent of complicity with the impostor, as did everyone else back then. And while it was interesting to view the events of Martin Guerre's life against the backdrop of the Protestant Reformation, then taking Europe by storm, it's quite a stretch to break the imposture case down along those lines.The flaws of Davis's book are not unique--they're common to all "microhistory," histories that try to build on tiny events that, by their very nature, often lack detailed, complete evidence, and often important evidence at that. But in the end, Davis's book is so well-written and enjoyable I'm willing to forgive it its faults and enjoy it for what it is--a rousing medieval tale with a healthy dose of speculation.Recommended.

fun read

very slow & too many details absolutely not necessary, but research the author made is commendable.

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Senin, 29 Juli 2013

Get Free Ebook Beyond the Aquila Rift

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Audible Audiobook

Listening Length: 1 hour and 11 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Infinivox

Audible.com Release Date: February 22, 2008

Language: English, English

ASIN: B0014SXV4Y

Amazon Best Sellers Rank:

This is a short story collection by the great writer Alastair Reynolds. Fantastic collection with most of the great stories here. It has most of the famous tales:"Great Wall of Mars" - a Revelation Space tale"Beyond the Aquila Rift" - have you ever dialed a wrong number - or misentered a web site address and ended up somewhere strange and amazing. Imagine doing so in space flight."Minla's Flower" - a story that Trekkers and the Prime Directive would appreciate."Fury" - a great story and underappreciated."Diamond Dogs" - a story about obsession and linked with other short stories in Revelation Space. A novella length tale - should be read with "Turquoise Days" [found elsewhere]and several others.

This is a great book. I enjoyed some stories more than others, but all are worth reading. Some highlights for me: Diamond Dogs, a goth/horror alien artifact stroy, "The Old Man and the Martian Sea" a very elegiac tale about the past and what it means to us,"Sleepover" about a man who wakes from cryogenics into a very weird and grim future. What I love about Reynolds shorts is that he always manages to tell a full self contained story with a developed ark. No mood or style experiments for him, no pointless exercises: STORY rules above all here, and his imagination for space opera scenarios knows no limits.

I'm an Alastair Reynolds fan and highly recommend his work to any fan of grand space opera. What's particularly great about this selection is it begins with a story that sets the scene for Reynold's exemplar Revelation/Redemption/Absolution trilogy (or quadilogy if "Chasm City" is included) and hopefully will encourage new readers to explore his fictive universe which seamlessly incorporates both hard and soft sciences.

I'm a big AR fan. The namesake story of this book is truly excellent. Also, "Minla's Flowers" (a Merlin story) and "Thousandth Night" are both part of this collection and must-reads for those who go on to read from AR's novels. Great stuff.

be prepared to read in one or two all-night bites. The author's usual brilliant story-telling, backed by a predictive, hard science approach; produces immersive, surprisingly intimate stories woven against far-flung galactic and space time backdrops.

Alastair Reynolds give new meaning to the sci-fi space opera he hits every note and they ring true to form as in the vein of the great sci-fi masters!!!

A plethora of short stories, all of which will stretch your horizons. Travel from a reunion of a galaxy-spanning family, to a sunken city in the seas of Mars. Enjoy the trips, as I did.

I am biased in favor of original scifi and alastair reynolds leads the pack

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Minggu, 28 Juli 2013

Download Last Hope Island: Britain, Occupied Europe, and the Brotherhood That Helped Turn the Tide of War, by Lynne Olson

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Last Hope Island: Britain, Occupied Europe, and the Brotherhood That Helped Turn the Tide of War, by Lynne Olson

Last Hope Island: Britain, Occupied Europe, and the Brotherhood That Helped Turn the Tide of War, by Lynne Olson


Last Hope Island: Britain, Occupied Europe, and the Brotherhood That Helped Turn the Tide of War, by Lynne Olson


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Last Hope Island: Britain, Occupied Europe, and the Brotherhood That Helped Turn the Tide of War, by Lynne Olson

Review

“Last Hope Island is a book to be welcomed, both for the past it recovers and also, quite simply, for being such a pleasant tome to read. . . . Certain of these refugee groups have had their stories told before . . . but Olson’s book is the first to weave this all together. . . . It’s a well-written and well-illustrated book, and deeply researched.”—The Washington Post  “In Last Hope Island [Lynne Olson] argues an arresting new thesis: that the people of occupied Europe and the expatriate leaders did far more for their own liberation than historians and the public alike recognize. . . . The scale of the organization she describes is breathtaking.”—The New York Times Book Review   “A brisk and compelling portrait of wartime Britain.”—The Wall Street Journal “[A] pointed volume . . . [Olson] tells a great story and has a fine eye for character.”—The Boston Globe“Spellbinding . . . [a] masterful account of England in World War II . . . [Olson] brings both a journalist’s eye and a novelist’s command of character and setting to this subject. . . . For American readers inclined to begin their World War II reading after U.S. entry into the conflict, Last Hope Island opens a fascinating trove of stories, characters and facts. . . . Olson’s book, ten years in the making, not only helps illuminate the past but also serves as an insightful backdrop for today’s discussion of the future of twenty-first-century European alliances.”—BookPage, “Top Pick”“A rip-roaring saga of hairbreadth escape, espionage, and resistance during World War II, Lynne Olson’s Last Hope Island salvages the forgotten stories of a collection of heroic souls from seven countries overrun by Hitler who find refuge in Churchill’s London and then seek payback in ways large and small. In thrilling fashion, Olson shows us that hell hath no fury like a small country scorned.”—Erik Larson, New York Times bestselling author of Dead Wake “Lynne Olson is a master storyteller, and she brings her great gifts to this riveting narrative of the resistance to Hitler’s war machine. You will be thrilled and moved—and enraged, saddened, and shocked—by the courage and steadfastness, human waste and stupidity, carelessness and nobility, of an epic struggle. Last Hope Island is a smashing good tale.”—Evan Thomas, New York Times bestselling author of Being Nixon “In a series of compelling books in recent years, Lynne Olson has established herself as an authoritative and entertaining chronicler of perhaps the largest single event in human history—the Second World War. Now comes Last Hope Island, a powerful and surprising account of how figures from Nazi-occupied Europe found Great Britain an essential shield and sword in the struggle against Hitler. This is a wonderful work of history, told in Olson’s trademark style.”—Jon Meacham, Pulitzer Prize–winning author of American Lion “You wouldn’t think that there would still be untold tales about World War II, but Lynne Olson, a master of that period of history, has found some. Not only does she narrate them with her usual verve, but her book reminds us how much we unthinkingly assume that it was the United States and Britain alone who defeated the Nazis in Western Europe. Last Hope Island is a valuable, and immensely readable, corrective.”—Adam Hochschild, New York Times bestselling author of King Leopold’s Ghost“This is a history book that reads like the best thrillers. . . . Olson offers a fascinating view of the war and its aftermath, less from a military than from a high-level civilian perspective. . . . The many individuals are finely drawn, major developments are well covered, and the book provides an unusual and very insightful angle on the war.”—Booklist (starred review)

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About the Author

Lynne Olson is the New York Times bestselling author of Those Angry Days: Roosevelt, Lindbergh, and America’s Fight Over World War II, 1939–1941 and Citizens of London: The Americans Who Stood with Britain in Its Darkest, Finest Hour. Among her five other books is Troublesome Young Men: The Rebels Who Brought Churchill to Power and Helped Save England. She lives with her husband in Washington, D.C.

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Product details

Paperback: 576 pages

Publisher: Random House Trade Paperbacks; Reprint edition (February 6, 2018)

Language: English

ISBN-10: 9780812987164

ISBN-13: 978-0812987164

ASIN: 0812987160

Product Dimensions:

5.2 x 1.2 x 8 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.8 out of 5 stars

329 customer reviews

Amazon Best Sellers Rank:

#19,803 in Books (See Top 100 in Books)

Lynn Olson is an American historian who has written several bestselling books on the Second World War era. I have personally read her booksThose Angry Days, Citizens of London and Troublesome Young Men. This new work is an exciting account of the importance of Great Britain to allied nations who had been conquered by the evil Nazis. Charl;es DeGaulle directed efforts to free France from his London quarters while rulers like Queen Wilhelmina of Holland King Haakon of Norway broadcast over the BBC to their captive peoples on the continent. From England came spy missions directed by M16 and SOE into captive Europe. Many of the agents sent abroad died as did the brave people of occupied Europe who provided food, shelter and hope to them. Brave Europeans guided downed fliers and stranded soldiers to neutral France. The resistance helped provide for the Allied invasion of June 6, 1944 by covert actions against the German army. We see how important scientists were rescued by British operatives who assured their participation in the breaking of the Enigma Code used by the Germans. Many rescued scientists also took part in planning for the nuclear bombs used against Japan. This is an exciting book dealing with all the cloak and dagger spy activity more fascinating and scary than anything conjured up by a fiction author.I found it especially moving to hear of the hunger and suffering of the captive people of Europe in Holland, France, Belgium, Poland and Czechoslovakia. The contribution of Polish airmen during the Battle of Britain in 1940 was inspiring. Olson includes many stories about real life men and women who were real heroes in the long and bloody fight against Fascism. I was surprised to learn of the bitter bureaucratic infighting that occurred between SOE and M16 as well as DeGaulle and FDR's mutual hatred. The book is well researched, written and is not boring. Period photos enhance the reading experience. Another outstanding work by popular historian Olson. Well done!

This book is a treasure for any history buffs, or anyone who lived through this era. It's beautifully written. I'll rave about this book to my friends, but NO ONE will be allowed to borrow it! Any reader of this fine history will appreciate the immense amount of research that went into compiling this excellent writing.

This is an excellent book. I have read numerous books about World War II. This book deals with matters and events of which I knew little and have seen next to nothing in the books I have read. It brings light to the contributions made to the allied war effort by nations that were overrun by the Nazis and that set up their governments in the island of Great Britain to carry on their resistance to the Nazis during the occupation of their countries. Their contributions actually contributed substantially to the allied war effort. The Polish air squadrons, for example, played a big part in the Battle of Britain. Their experience in fighting the Nazis when their country was overrun was invaluable in that battle.The book also addresses the failures of the British, seeming in large part from their arrogance that they knew how to do things better than the leaders of the conquered countries. The SOE, in particular. At one time I wanted to scream and pull my hair out. The SOE agents were trained in how to communicate their intelligence via radio, and that they always needed to start with a special code so that the SOE people in Britain would know that their reports had not been compromised. They sent an SOE agent into Holland who was immediately captured. They compelled him to act like all was well and to send back reports with information they wanted sent. He eventually did so, but of course intentionally left out the verification code. The British thought, well, he must have forgot. So, for well over a year the Germans played the English, sho sent numerous agents into Holland, all of whom were immediately caught and many of them executed. These newly captured agents also sent reports back to England, leaving off the verification code. The British couldn't figure out why their agents kept forgetting the code, at least until they received a radio transmission from the German high command thanking them for sending all of their agents, equipment, ammunition and supplies directly to the Germans for over a year. The same thing happened in France. But, when a compromised agent left off his verification code, the British monitors in England radioed back that he had forgot to use his code and to please use it next time. Of course, then the Germans knew a code was required. The stupidity is mind boggling. So stupid, in fact, that even today the British cannot bring themselves to admit their errors.There are also many very human stories, of resistance leaders in the occupied countries taking daring action that put their lives at risk. Even by people you would never suspect could be so heroic. When the operation Market Garden, the landing of paratroopers at Arnhem, turned into a complete fiasco, many ordinary people in Holland risked their lives to hide solderers, many of which developed bonds of friendship that lasted the rest of their lives. In fact, it was extraordinary and very touching. But I won't give it away. All in all, this is an excellent book and highly recommended and not just for those that are World War II buffs.

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Sabtu, 06 Juli 2013

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The Bullpen Gospels: A Non-Prospect's Pursuit of the Major Leagues and the Meaning of Life, by Dirk Hayhurst


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The Bullpen Gospels: A Non-Prospect's Pursuit of the Major Leagues and the Meaning of Life, by Dirk Hayhurst

From the Author

Best Baseball Autobiography Since Bouton? Dirk Hayhurst's description of himself for the author's ID in his upcoming book The Bullpen Gospels reads in part, "Dirk is a former member of the San Diego Padres, and after this book gets printed, a former member of the Toronto Blue Jays." I'm not sure he's correct. In fact, I'm not sure that in these times when so many fans feel like they're constantly having the wool pulled over their eyes by athletes ill-equipped for the attempt, if Hayhurst's constant honesty, his remarkable candor, his drumbeat of unadorned confessed self-doubt, and his seamless writing, won't resonate through the sport like the first true wonderful day of spring when the game and the weather finally reassure you that winter has been beaten back, at least for a season. In fact, I'm not sure that he hasn't written the best baseball autobiography since Jim Bouton's Ball Four. For Hayhurst, who bombed as a starter for the Padres in 2008 and then showed promise out of the Jays' bullpen the season past, has written what Bouton wrote, and what a decade before Bouton, what Jim Brosnan wrote - a book that is seemingly about baseball but which, as you read further and further into it, is obviously much bigger than that. These are books about life: struggle, confusion, purpose, purposelessness, and the startling realization that achievement and failure are nearly-identical twins, one which gnaws and deadens, the other which just as often produces not elation but a tinny, empty sound. Brosnan's achievement, in The Long Season and Pennant Race, was to introduce to a world which previously had no information of any kind on the subject, the concept of athlete as human being. What did he have to do when demoted, or traded? What happened when management changed? Was there a Mrs. Athlete, and could they share a martini now and again? (answer: You bet). Bouton's breakthrough was to show the concept of athlete as flawed human being. Too many martinis, some of them shared with women other than Mrs. Athlete. Athletes who might not have been geniuses on the field or off, but who seemed invariably managed and coached by men even less intelligent. The struggle to self-start as one's team sank from optimism, to contention, to inconsistency, to irrelevance, to embarrassment. And yet, were they enjoying themselves, did their lives change for the better, was being an athlete fun? (answer: You bet). And now here is Hayhurst, who may single-handedly steer baseball away from the two decades-long vise grip of Sport-As-Skill-Development. Since my own childhood, we have ever-increasingly devalued every major leaguer but the superstar. Late in the last century we began to devalue every minor leaguer but the top draft choice. If you don't make it into somebody's Top Prospects list, you might as well not exist. Dirk Hayhurst is writing of his days, his months, his years, as far away from the Top Prospects lists as imaginable. He is, in The Bullpen Gospels, often the last man on an A-ball pitching staff, and trying to answer a series of successively worsening questions cascading from the simplest of them: Why? This, of course, is why the book transcends the game. It's not just Dirk Hayhurst's existential doubt about whether he'll reach the majors or why he's still trying or if he shouldn't be helping the homeless instead of worrying about getting the last out of a seven-run inning. He is experiencing the crisis of reality through which we all pass, often daily: when our dreams about life crash head first into its realities, what the hell are we supposed to do then? Thus The Bullpen Gospels is a baseball book the way "Is That All There Is?" is a Leiber-Stoller pop song by Peggy Lee from 1969. It is the primordial battle of hope and faith and inspiration versus disillusionment and rust and inertia. Sounds pretty grim, doesn't it? But of course therein lies the delightful twist: like Brosnan and Bouton before him, Hayhurst repeatedly rediscovers the absurd hilarity of it all, and the book is consistently laugh-out-loud funny. And like all great artists, he pulls back curtains we never thought to investigate: from how assiduously minor leaguers debate which "Come-out songs" they will choose or which numbers they will wear, to the pecking order of seat locations on the ever-infamous bush league bus trip. My favorite is probably the mechanics of something the average reader will have never heard of before, let alone have contemplated. It's "the host family" - the living arrangements by which the non-first-rounders survive their seasons in the minors. Hayhurst hilariously defines such temporary homes as ranging from Wackford Squeers' Dotheboys Hall, to the visitations from In Cold Blood. It doesn't hurt that Hayhurst is a fluid and gifted writer, whose prose can take off like a jet and compel you to read for half an hour more than you have. He populates the pages of The Bullpen Gospels with teammates, some identified, some amalgamated, some under aliases - and if the book takes off, ripping the Hayhurstian masks off the more colorful ones may become a low-key hobby after the book is published on March 30th. The reaction will be fascinating to see. In 1970, my father endured my clamoring and bought Ball Four and read it himself before handing it to me: "I know you know all these words. Just don't use them around the house. Read this carefully, there's a lot of truth in here." But ever since, we fans have been bombarded for decades by altered versions of truth, all of them writ large and desperately trying to impress us with their essential-ness. Baseball books have tended to focus only on the big, and to try to make it bigger still. We've gone from the unlikely accuracy of Jose Canseco's slimy indictment of the steroid era, through the analyze-all-the-damn-fun-out-of-the-game-why-don't-you tone of Moneyball and its imitators, through what may in retrospect be seen as a Hayhurst-precursor in Matt McCarthy's fraudulent Odd Man Out, through dozens of historical works insisting everything that has ever happened in baseball has re-shaped the nation - Jackie Robinson (yes), the 1951 N.L. pennant race (very possibly), the 1912 World Series (no way). Here, instead, will be a modest book by a modest relief pitcher who has appeared in the modest total of 25 major league games presenting what the modest author thinks (incorrectly) is only modest truth. He has yet to get his own major league baseball card and as I write this there are exactly two of his souvenirs available on eBay and one of them is a photo for $6.99 ("Or Best Offer"). His preface warns you if you seek scandal or steroids, look elsewhere, and the only bold face name in the whole 340 pages, Trevor Hoffman, comes across as a low-key gentleman. And yet there in the prologue Hayhurst offers a key to what he has written and why, self-guidance to which he sticks pretty neatly: "I also believe there is more to the game than just baseball. For all the great things baseball is, there are some things it is absolutely not. And that is what this story is all about." Of course, just as Bouton's exposure of the real flaws of the real men who played baseball in 1969 made them even more appealing than the phony deities into which they'd been transformed, the great things are made somehow greater by how well Hayhurst contextualizes them, how honestly he tells his story, and how vividly he takes us inside his world.-- Keith Olbermann (edited by author)

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From the Inside Flap

Hayhurst, who pitched quite credibly for Toronto last season, was kind enough to send me an advance copy of his book, The Bullpen Gospels, which is due out at the end of March. With stellar reviews from Keith Olbermann, Rob Neyer, Tim Kurkijan, Tom Verducci, and Trevor Hoffman, among others, the book hardly needs my seal of approval to cement its place in baseball's literary canon. But it sure has it.  The Bullpen Gospels is hilarious, touching, unflinching in its honesty, and unapologetic in its basic decency. Major league athletes are expected to be confident to the point of arrogance - in fact, we think of it as essential to their success -- but in Gospels, the author turns a hard, narrow focus on his own self-doubt. The hilarious minor-league antics and touching tales of stepping out of his uniform to act like a real person, I had come to expect from Hayhurst's "Non-Prospect Diary", but I wasn't prepared for the raw honesty regarding offseason life back in Ohio or the nagging self-doubt that regularly accompanied the pitcher everywhere, including the mound.   I was even less prepared for the extent to which I related to that part of the story and how many of the same experiences I had myself had - the messed-up family life, the sometimes crushing self-doubt. And, most of all, the way that those things cause the desperate need to prove oneself by succeeding to the fullest in one's career - how that drive for success leads to ever-greater outward success without ever fixing the problems that caused that desire for success in the first place - because, how can it?   But, in a way, that's the point - strip away the media persona and the trappings of the professional baseball player, and what is a minor-league player? A young man, probably in his early-to-mid 20s, with sporadic but near-crippling self-doubt, equally intermittent feelings of invincibility, a desperate need to prove himself without a full understanding of why, little money, and, playing the percentages, serious father issues.  And here I thought that all Dirk and I had in common was our love for comic books.None of this is to take away from the fact that The Bullpen Gospels is very much a baseball book. The ball scenes are exciting, the moments of team camaraderie genuine and memorable, and the bullpen hijinx hilarious. I have no doubt that the former and current players who have extolled how accuratelyGospels captures the essence of playing baseball for a living are completely right. But I thought the book was much more than that. As Hayhurst himself mentions in his conversation with Trevor Hoffman late in the book, it's not only about what baseball is, but also what it's not.It's difficult to write an autobiographical book in which you are fair about yourself. I speak from experience - although I was a biochemistry major in college, I lacked the scientific inspiration to do my honours thesis in that field, so I fell back on my other major, English, and wrote a book of creative autobiographical non-fiction. I had the stories to tell but not the willingness to make myself look bad, nor the dishonesty to make myself look good, so I ended up writing as little about myself as possible. But full credit to Dirk - The Bullpen Gospels tells the stories that make him look good and doesn't shy away from the ones that make him look bad. I can't believe I spent the 2009 season rooting for a guy who yells at his grandmother to shut up!As a lawyer, I would be remiss if I didn't mention the unbelievably hilarious Kangaroo Court scenes -- some of my favourites in the book - where players bring one another up on "charges" -- ranging from the effects of eating too much Mexican food to talking about oneself in the third person to rank stupidity -- and try them before a jury of their peers.  I can't encourage you enough to pick up a copy of The Bullpen Gospels. You will speed through it and, if you are like me, gain a new appreciation for ballplayers, not for the work that they do, but for the men that they (at least, some of them!) are. You will laugh your tail off on one page and, quite possibly, tear up on the next. Most of all, laughing with the guys on the team, suffering through uncomfortable bus rides and fleabag motels, experiencing the agony of letting a game slip through your fingers, the despair in getting busted down a level, and the joy in victory, you'll feel like you - an ordinary person - are a ballplayer. But you'll also feel like the ballplayer is, for once, an ordinary person.    Blue Bird Banter.comÂ

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Product details

Paperback: 240 pages

Publisher: Citadel; Original edition (April 1, 2010)

Language: English

ISBN-10: 0806531436

ISBN-13: 978-0806531434

Product Dimensions:

5.5 x 0.9 x 8.3 inches

Shipping Weight: 12 ounces (View shipping rates and policies)

Average Customer Review:

4.4 out of 5 stars

200 customer reviews

Amazon Best Sellers Rank:

#269,602 in Books (See Top 100 in Books)

While much of the book concerns sophomoric toilet humor and behavior, I have to admit I still laughed out loud a few times.(Most emphatically about the Jessica Simpson hypothetical.) The kangaroo courts were also a riot-something that exists on many MLB clubs as well.This a is a good read about the unglamorous life of a struggling minor leaguer in single A and Double A until his team wins the Texas League Championship in 2007. This 'chasing the dream" odyssey has some very personal demons as well. Hayhurst had a very difficult home life with his parents and his older brother's alcoholism. It was likely his prime motivator in seeking to morph himself into his a baseball identity. And then he learns a great lesson in life from his baseball life. It's what a baseball uniform can do for others that counts: not just the glory of baseball per se. Whether Hayhurst is sincere in this realization may be open to question, but I choose to accept him as such. Here was a non- drinker, and a virgin in a locker room full of heaping testosterone quests who managed to stay the course until he found a woman he loved. For those who enjoy memoirs of true grit baseball life, this one's for you.

This book is by turns real, insane, funny, and sobering. It's about one mans journey to make it to big league baseball. It's an inside look at the grind that is minor league baseball it's about self discovery and a stick to itness again all odds. It's about over coming obstacles and achieving your goals as much as it is about finding out who you really are and where you're headed. If you like an insiders take on baseball then you'll love this book. I certainly did. More Please.

This was a mostly enjoyable baseball book, with its focus on the life of a minor league bullpen pitcher. But the author spent too much time regaling us with sophomoric tales of sometimes rowdy, sometimes raunchy capers of his teammates in places such as Lake Elsinore, California, and a few Texas League oases. Sometimes the anecdotes were funny and the dialog humorous, but for the most part, they were flat. Apparently baseball players are just like college frat rats when they're not on the field. Probably the reader could spin tales as good or even better from his or her past. I would have liked to have read more inside baseball. I would have like to know more about what it's like to be out on the field and not so much about the locker room or the team bus. There was some of that, but not enough. Hayhurst is a pretty good writer, but I think he was trying to do too much in this book: make it interesting, make it humorous, make it poignant and still make it a good baseball book. It's not a bad baseball book -- it gives one a fair taste for what it's like to be a perpetual minor leaguer -- but it could have been better. As I say, it's a good -- but not great -- baseball book.

It's strange to find a book that's wholesome and raunchy and poignant at the same time, but I guess that's the life of a sensitive, mild guy who has thrown his lot in with big-time athletics. It's a great read for anyone who loves baseball and enjoys descriptions of life on the road among stunted adolescents. There's not much baseball wisdom and no baseball strategy or statistics, but it's full of wonderfully funny descriptions of players, ballparks, and that special feeling of being a competitive athlete (and of the kinds of things that happen that can bring you down off your pedestal, too).The author, Dirk Hayhurst, is part of the Animal House atmosphere that pervades any male college or pro locker room in any sport, but he's a bit uncomfortable with it and a bit aloof. You get the feeling that he does a lot of watching and a lot of quietly returning to his hotel room or apartment, while the guys go out and party. And you get the feeling that the guys think he's okay, but none of them really consider him a good friend. (It's how I've aleays felt when I've been thrown into locker room situations.)First, the raunchy. It's mild by baseball tell-all standards, but there's all sorts of things about players farting in each other's faces, talking about how big their "packages" are, etc. Hayhurst does a good job of showing how humor pervades the clubhouse and brings together guys from different backgrounds and cultures --- and guys who are, ultimately, competing against each other for the attention of the major league general manager.Then, the poignant. Early in the book, after a couple of chapters about the silliness of spring training speeches, Hayhurst gives a glimpse at why he's sticking it out in Class A minors after four years of not doing very well. First, there's black humor about living with his crotchetly grandmother, who makes him sleep on a plastic-covered mattress in a junk-filled room and tells him "Go to hell" whenever he suggests that she actually throw out some junk. The next chapter describes his family, which can only be called hellish: A father who's fallen into depression due to a accident 20 years ago that left him mostly incapacitated; a drunk brother who beat up Hayhurst repeatedly throughout their teen years; and a mom burned out by caring for the two deadbeats. The trio of losers lives on welfare, and Hayhurst visits them as rarely as possible, as all he gets from them is anger and indifference that he has actually tried to make something of himself.Then, the wholesome. Hayhurst is a rules follower, which makes him an anomaly in baseball circles (and in his own family culture). He is a meek guy. He doesn't drink, and he's a virgin late into his 20s. This comes out about midway through the book, as he gives a glimpse into his hope for a pristine life without alcohol-fueled violence and with a lovely, caring wife. As the book chronicles a season in which he had his most significant success in the minors and moves up to AA for a team that wins a championship, he gets into the wholesome, cliched baseball writing that went out of style in about 1960's kids' books. Needless to say, I didn't like the part about "the team came together ... one for all, all for one," etc. But those are likely to be genuine feelings, so you can't argue with it.The book ends on an even more upbeat note. I won't spoil it.

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Senin, 01 Juli 2013

PDF Download ApocalyptiGirl: An Aria for the End Times, by Andrew MacLean

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ApocalyptiGirl: An Aria for the End Times, by Andrew MacLean

About the Author

Andrew MacLean is an emerging comic artist who spends his days drawing pages for his comics and creating designs for ad agencies and apparel companies (Foot Locker, Resistol, Go Indie, Happy Grasshopper). Andrew's style emerges from a variety of artists like Mike Mignola, Gabriel Ba, Rafael Grampa, James Harren, Paul Pope, and Jack Kirby to form a life of its own. He has a very cinematic approach to storytelling, drawing on influence from filmmakers like Quentin Tarantino and Stanley Kubrick. The author lives in Salem, Massachusetts.

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Product details

Series: Apocalyptigirl

Paperback: 96 pages

Publisher: Dark Horse Originals (June 16, 2015)

Language: English

ISBN-10: 9781616555665

ISBN-13: 978-1616555665

ASIN: 1616555661

Product Dimensions:

6 x 0.4 x 9.1 inches

Shipping Weight: 7.8 ounces

Average Customer Review:

4.0 out of 5 stars

58 customer reviews

Amazon Best Sellers Rank:

#503,890 in Books (See Top 100 in Books)

Purchased this since it was on the best sellers list for graphic novels. Can't say that I see the appeal, at least when comparing to other graphic novels such as The Watchmen. The story wasn't bad, it just wasn't very complex; felt more like a short story than anything. Could be that I just had my expectations higher than they should've been giving it's purchase ranking. In the end, this is more of a rental from the library than one to add to your collection.

Andrew MacLean is an outstanding artist and dynamic storyteller. ApocalyptiGirl is a must-read story with one of a kind art. If you enjoy artists who emphasize shape dynamics and utilize exciting color choices then this book is for you. The art alone makes this a great buy, and a price like this is hard to beat. Andrew will also be releasing a Trade Paperback edition of Head Lopper. If you enjoy this art style, check out Head Lopper and see it amped up even further.

So ontop of my order arriving a week early- This comic is adorable. The art style is different which isn't a bad thing, and it's a neat story on a girl and her cat surviving in a destroyed world. I loved it. :3 (added a photo for you too see more of the art style)

Luv Andrew McLean's art and comix's entire vibe. The story may be minimalist, but it succeeds where few comix do: It creates a future world you really feel is alive. It definitely leaves you "wanting more" too ... unlike so many that jabber in dialogue and fake "character development" scenes but end up saying nothing. THIS is one of my fav comix in a long time, a less-complex PROPHET but still very sci-fi trippy!

Nice look into a world of future mystique and fantasy. Great action and a good arc that has a satisfying briskness. An Aria indeed!

The story was pretty good especially since it was driven by one character.I really wanted to see and learn more about the environment which is great for a book to do.The are was really nice too as it is its own flavor.

I'm absolutely in love with the artwork and usage of color in this book. It's a beautiful concept with a lot more lore than they had time to get into . This could easily have been an outstanding series with plenty to offer, so my only complaint is trying to fit so much of this big idea into such a short book. I'm noticing this has been a consistent problem with graphic novels for me. The level of detail you could get from a regular novel cannot be matched through images, which themselves offer a broader sense of imagery and allow for less descriptive detail. Anyway, back to the book, for what graphic novels typically seem to accomplish in my experience, this one did a good job and it was worth it, if not for the artwork alone.

ApocalyptiGirl is not at all like what other things I've been reading lately. I tend to prefer things that are a little light with lots of character development and lots of kickass women, heavy on the playful dialogue when possible. This kind of checked the boxes and was completely different at the same time. This story had an eerie realism to it that kept it from being light, despite the joking and mostly light thoughts of Aria. She is definitely kickass and it's pretty easy to get a sense of who she is. Other reviews have criticized this story for not having enough explanation of what is going on and I actually consider that to be its greatest strength. It reveals without giving you all the dirt. It entices without telling you everything, leaving the reader to fill in the gaps with possible explanations. It keeps a certain distance from current affairs that gives it an almost mythical/parable feel without the preachy tones. So I liked it. Not an all time favorite, but one I'm happy to have added to my library.

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