PDF Download The Hot Shoe Diaries: Big Light from Small Flashes
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The Hot Shoe Diaries: Big Light from Small Flashes
PDF Download The Hot Shoe Diaries: Big Light from Small Flashes
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From the Back Cover
When it comes to photography, it's all about the light. After spending more than thirty years behind the lens-working for "National Geographic," "Time," "Life," and" Sports Illustrated"-Joe McNally knows about light. He knows how to talk about it, shape it, color it, control it, and direct it. Most importantly, he knows how to create it...using small hot shoe flashes. In "The Hot Shoe Diaries," Joe brings you behind the scenes to candidly share his lighting solutions for a ton of great images. Using Nikon Speedlights, Joe lets you in on his uncensored thought process-often funny, sometimes serious, always fascinating-to demonstrate how he makes his pictures with these small flashes. Whether he's photographing a gymnast on the Great Wall, an alligator in a swamp, or a fire truck careening through Times Square, Joe uses these flashes to create great light that makes his pictures sing.
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About the Author
JOE McNALLY is an internationally acclaimed American photographer and longtime photojournalist. His most notable series is “Faces of Ground Zero—Portraits of the Heroes of September 11th,” a collection of giant Polaroid portraits. He also photographed “The Future of Flying,” the first all-digital story for National Geographic. His award-winning work has appeared in numerous magazines and, in 2008, Joe wrote the critically acclaimed and bestselling book The Moment It Clicks.
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Product details
Paperback: 336 pages
Publisher: New Riders; 1 edition (March 13, 2009)
Language: English
ISBN-10: 9780321580146
ISBN-13: 978-0321580146
ASIN: 0321580141
Product Dimensions:
7.8 x 0.8 x 9.2 inches
Shipping Weight: 2 pounds (View shipping rates and policies)
Average Customer Review:
4.4 out of 5 stars
310 customer reviews
Amazon Best Sellers Rank:
#339,495 in Books (See Top 100 in Books)
The book gives a lot of insight into the "day in the life of a flash photographer pro" but as others have said there are no real "how to's" with this. If you're looking for an info graphic style step by step break down this isn't it. "Diary" is a good word for this book. The design of this book more or less to allow your mind to sort of absorb this photographer's process and potentially gain your own unique knowledge and approach to your own flash photography out of it. The author's use of slang and loose grammar is amusing and somewhat refreshing but does start to get old as you get into the book and seems a bit forced in order to "be cool" after a while.Also as others have said it also does seem as though this guy is getting a kick back from Nikon because it's all he talks about...Nikon this NIkon that; Nikon, Nikon, Nikon.
This book does NOT explain basic photography concepts like shutter speed, aperture size, ISO, Aperture priority, Manual Mode, or how to use all the buttons and dials on your camera.What it does do is make you think !!I have a wedding venue and have taken a lot of photos and processed them with lightroom.I know the basics of photography, and I have read a lot of beginner to intermediate photography books.Most of those books repeat a lot of what I learned from the other books.I use a flash for most of the indoor shots and a lot of the close-up outdoor shots. I use a softbox or umbrella when I have time to set them up. If the available light allows I will go without a flash. If time allows I will use manual mode instead of Aperture Priority.I've had photographers come to my venue with no flash and a couple of primes(natural light fanatics). In a lot of their photos the background is washed out and the bride and groom have too much noise from high ISOs, or the depth of field is way too shallow from opening the aperture too far to get more light in. Some fill flash would have helped with this situation.After taking and processing thousands of photos, I am plagued by some questions that mostly concern exposure and lighting.I've only read the first 100 pages of this book and some of those questions are being dealt with. Often times there are no black and white ways to deal with different lighting conditions. Joe goes into this and tries to help you "Think about what you are doing". Many books will show you a photo and tell you where they places flashes and what settings they used and what wall they bounced light off of. If you don't have a wall to bounce off then what ???I have been waiting for a book like this to come along and I hope more of my questions will be answered.I will finish this review after I have finished Joe's book.UPDATE:I've now read the first 200 pages.One of the reviewer said that he read half the book, didn't get anything out of it, so gave it up. He said " I cannot figure out for the life of me what it is he's trying to teach you but it isn't lighting." Maybe he is much more advanced than I am or maybe he wants clear-cut exact answers to different lighting situations, or maybe he wants to do controlled studio lighting ? No two situations are alike so you can't just duplicate the f-stop, shutter speed, ISO, flash placement, diffuser, umbrella, etc and come out with a perfect photo.I've read "Captured by the Light", most of "Picture Perfect Lighting", "On Camera Flash" and various other books dealing with lighting so I do know something. Even after reading these books I felt that something was missing ! What was missing was using my own brain to figure out how to light a photo shoot and produce the 'feeling' that I want when looking at the finished photo. Do I want soft red light, hard blue light, directional light, no shadows, soft shadows, hard shadows, lots of ambient light, no ambient light, should I use a diffuser or an umbrella, 1 speedlight or 2 or 3 ??? This book has helped me deal with these questions.I'm doing some family photos in a couple of days(inside and out) and I feel that I can choose a location, look at the existing light and make some informed decisions about how to use existing light and most likely diffused off-camera flash. I certainly don't have all the answers but I feel more confident now. The outside of our venue is in a cleared forest with very tall mature oaks. During the day the light can filter thru the trees and produce harsh lighting conditions. It's a beautiful location with challenging lighting.(large diffusion panels help)Off the back of the barn is a deck enclosed with transparent vinyl panels. We get pretty good diffused light coming in thru the panels but often times the subjects face is shaded due to the direction of the sun. Without using a flash, the faces are dark with a properly exposed forest or the face is exposed correctly and the outside is blown out. Mr McNally spends a fair amount of time dealing with issues like this.Joe McNally tells stories throughout the book, this disturbs some readers, but to me he is trying to make a point and for me these stories make sense. They may not have when I was first starting out in photography. Sometimes his language is a bit off-color but that doesn't bother me. I think he is a very experienced photographer and I pay attention to what he says.Read these books -Read this first - "Understanding Exposure" by Bryan PetersonRead this second - "Captured by the Light" by David Ziser.Then read - "The Hot Shoe Diaries" by Joe McNallyWhat I think - Read this book, take a few hundred or thousand photos, read the book again and repeat.Thanks,Monty
Flash photography is one the things that I simply have not mastered. And it's not from a lack of trying. For some reasons, my mind just does not connect with those strange speedlight flash settings. Aperture, shutter speed, ISO, rule of thirds, file formats, etc. I've got those down cold. But that blasted flash evades me.This is why I found "The Hot Shoe Diaries: Big Light from Small Flashes" by Joe McNally to be such a valuable read. McNalley knows what he's doing with his flashes, manages to take some incredible shots (many of them are included in the book) and has a down-to-earth way of communicating what he knows to his readers.Does the book have any shortcomings? Sure, all books do. McNalley is a Nikon user and specifically discusses Nikon products throughout the book. However, if you are a Canon, Sony (or whatever brand you own) user, you can easily apply what he says to your gear. Simply translated Nikon SB-800 or SB-900 Canon Speedlite 430EX or whatever you happen to use.The other shortcoming is that McNally's cutesy conversational style (with some profanity tossed in as well.) This becomes waring at times. However, if you can overlook the verbiage, you will gain a significant amount of insight from an established pro on almost every aspect of speedlight flash photography.Highly recommended.
I picked up a great deal of terrific information about using flash from "Diaries", but only because I recently finished a 3 day workshop on flash photography. Without that workshop I would not have understood very much of the information in this book. If you want basic information to get you started using speedlights/speedlites, don't buy this book. If you already know the basics (how to use Flash Exposure Compensation, how to set up multiple flashes and set Flash Ratios, etc.), this is an excellent book to improve your skills. You will pick up many, many techniques that it would take months to learn on your own.It is written using Nikon equipment as the examples, but I shoot Canon and I didn't find the numerous Nikon references to be a problem at all. This book is not a 'cookbook' anyway, it simply talks about how to get different effects from your flash...but it uses a huge amount of difficult to understand jargon. Reading this book is like talking to a computer geek. He throws in so many terms that have meaning only to him that it is easy to become exasperated.Hang in there, though, and you will learn some new stuff...
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